12: Detailing


CHAPTER 12
Detailing


Simply put, if detailing doesn’t work, then you’ll use Revit only as a schematic design application. It’s imperative that you can detail in Revit efficiently. When firms fail in the attempt to use Revit, it’s because of detailing. In fact, many of you who have bought this book may jump straight to this chapter. And why is that? It’s because many people (including me) buy into the concept of really cool 3D perspectives and one-button modeling. So, here’s what we are going to tackle in this chapter:



  • Working with line weights
  • Drafting on top of the detail
  • Adding notes
  • Creating blank drafting views

Working with Line Weights


When you understand Revit, you find out immediately that the real hurdle in getting it to work lies in the detailing. Sure, you can cut sections and create callouts, but how do you add that fine level of detailing needed to produce a set of documents that you’re willing to stamp and sign? This chapter addresses the issues surrounding detailing.


The first thing that comes to mind when dealing with CAD standards is line weights, right? In AutoCAD it’s layers, in MicroStation it’s levels, but on paper it’s line weights that control 75 percent of a company’s standards. As you’ll learn in this chapter, Revit can be a good 2D drafting application as well. As you learn how to control line weights in the 3D elements, you can also control line weights, well, line by line.


To begin, open the file you’ve been following along with. If you didn’t complete the previous chapter, go to the book’s web page at www.sybex.com/go/revit2012ner. From there you can browse to Chapter 12 and find the file called NER-23.rvt.


The objective of this procedure is to format the line weights and to see where, and how, they’re read by Revit:



  1. 1. In the Project Browser, open the Building Section called Roof Taper Section. Zoom in to the wall at the left.
  2. 2. Notice that the perimeter of the walls and the roof are extremely heavy in contrast to the finer lines that divide the submaterials. This is what you’ll change. On the Settings panel of the Manage tab, click the Object Styles button at left on the Ribbon, as shown in Figure 12.1.
    f1201.tif

    FIGURE 12.1 Object Styles is located at left on the Manage tab.


  3. 3. In the Object Styles dialog is a list of every object category available in Revit. The first items you want to change are the roofs. In the Category column, scroll down until you see Roofs, as shown in Figure 12.2.
    f1202.eps

    FIGURE 12.2 Changing the object line weights


    Glancing up at the headers that describe the columns, you see the Line Weight column. This column is divided into two sections: Projection and Cut. The Projection column controls the line weights of objects as they’re viewed in plan or elevation. The Cut column controls the line weights as they’re shown in section. So, to reiterate, projection means plan and elevation, and cut means section. Your objective is to modify the line weight for both the cut and the projection of the roof.


  4. 4. In the Roofs row, change the Cut value to 3, as shown in Figure 12.2.
  5. 5. Click the plus sign next to Roofs to expand the category.
  6. 6. All of the sub-elements are shown, and you can control the line weights accordingly. Change the Cut value of Fascias to 3.
  7. 7. Change the Cut value for Gutters to 3.
  8. 8. Change the Cut value for Roof Soffits to 3 (again, see Figure 12.2).
  9. 9. Find Floors, and change Cut Line Weight to 3.
  10. 10. Find Walls, and change Cut Line Weight to 3.
  11. 11. Click OK, and you’ll see the change to your outline (see Figure 12.3).
    f1203.tif

    FIGURE 12.3 Your section’s outline should begin looking a lot better.


Now you can start adding your own items to the section. The next group of procedures focuses on inserting and creating detail components to use in the sections.


Drafting on Top of the Detail


As mentioned before, Revit provides a good number of 2D details that you can insert at any time. When Revit doesn’t have the component you need, you can always create one. It isn’t that hard to do.


In this section, you’ll physically create a detail. The procedures you’ll apply consist of adding detail components, linework, and filled regions, and doing some good old-fashioned drafting!


Using Predefined Detail Components


The first procedure focuses on inserting predefined detail components. The great thing about this is that you do nothing that you haven’t done repeatedly throughout this book—it’s just a matter of finding the right button to get started:



  1. 1. Make sure you’re still in the detail called Roof Taper Section.
  2. 2. On the Detail panel of the Annotate tab, click Component images Detail Component, and then click the Load Family button as shown in Figure 12.4.
    f1204.tif

    FIGURE 12.4 The Load Family button on the Mode panel of the Modify | Place Detail Component tab


  3. 3. Browse to the Detail Components directory. (It’s located in the US Imperial Library directory.)
  4. 4. Open the Div 01-General folder.
  5. 5. Click the file called Break Line.rfa.
  6. 6. Click Open.
  7. 7. In the Type Selector of the Properties dialog, be sure Break Line is selected, as shown in Figure 12.5.
  8. 8. Press the spacebar twice. (This flips the break line into the correct orientation.)
  9. 9. Pick a point similar to the one shown in Figure 12.5.

The next step is to simply start drafting. As mentioned earlier, you’re only going to get so far with 3D modeling before you have to take matters into your own hands and draft. The way you can approach this in Revit is to take the parts of the detail you want to keep and hide the rest. After you hide portions of the detail, it’s time to begin adding your own ingredients such as detail components and lines.

f1205.tif

FIGURE 12.5 Placing the break line, and flipping the component


Masking Regions


To let you hide portions of the detail, Revit has added a nice feature called a masking region. Instead of wrestling around with items you ultimately have little or no control over, you can hide these items to make way for your detailing.


To learn how to apply a masking region, follow these steps:



  1. 1. Make sure you’re still in the detail called Roof Taper Section.
  2. 2. On the Detail panel of the Annotate tab, click Region images Masking Region, as shown in Figure 12.6.
    f1206.tif

    FIGURE 12.6 Region images Masking Region on the Annotate tab


  3. 3. In the Line Style panel, you’ll see some choices in the Subcategory. Choose <Invisible Lines>, as shown in Figure 12.7.
  4. 4. Again on the Draw panel, click the Rectangle button.
  5. 5. Draw a rectangle at the approximate points shown in Figure 12.7.
  6. 6. After you place the rectangle, click the Finish Edit Mode button on the Mode panel.

The area is now masked. The problem is, though, that some areas such as the break may be a little too masked. The next procedure steps through changing the display order of a detail’s objects:



  1. 1. If the break line is behind the masking region, select the break line, as shown in Figure 12.8.
  2. 2. On the Modify | Detail Items tab, click the Bring To Front button (see Figure 12.8).
f1207.eps

FIGURE 12.7 Click the Rectangle button on the Draw panel, and place a masking region as shown.


Your detail should now look like Figure 12.9.


The next step is to add a brick face. Yes, Revit showed the brick before you masked it, but you need to show coursing, as well as how the façade is tied back to the wall. To do this, you’ll use a function called a repeating detail.

f1208.eps

FIGURE 12.8 Click the Bring To Front button on the Modify | Detail Items tab after selecting the break line.

f1209.tif

FIGURE 12.9 The detail with the completed masking region


Repeating Details


Revit has a technique that allows you to add a detail component as a group. You do this by basically drawing a line; Revit then adds the detail in an array based on the points you pick.


To learn how to add a repeating detail, follow this procedure:



  1. 1. On the Detail panel of the Annotate tab, select Component images Repeating Detail Component, as shown in Figure 12.10.
    f1210.tif

    FIGURE 12.10 Select Component images Repeating Detail Component.


  2. 2. In the Properties dialog, choose Repeating Detail : Brick from the Type Selector, as shown in Figure 12.11.
  3. 3. Pick the point labeled 1 in Figure 12.11.
  4. 4. After you pick the first point, move your cursor down the view.
  5. 5. The brick is facing the wrong side. Press the spacebar to flip the brick into the wall (see Figure 12.11).
  6. 6. Pick the point labeled 2 in the figure so that three copies of the brick section are placed.
f1211.eps

FIGURE 12.11 Adding the repeating detail based on the points shown


Your detail should look like Figure 12.12.

f1212.tif

FIGURE 12.12 The first repeating detail


Next, you’ll keep going with the repeating detail. The problem you’re faced with is that you need to deal with the soldier course in the exterior wall. You can add that in a moment. Right now, complete the brick down past the break line.


If you feel like you’re getting the hang of adding the repeating brick detail, go ahead and add the second repeating detail. If you would like some instruction, follow along:



  1. 1. Click the Component images Repeating Detail Component button on the Detail panel on the Annotate tab.
  2. 2. Pick point 1, as shown in Figure 12.13.
  3. 3. Press the spacebar.
  4. 4. Pull the cursor straight down and pick point 2 (see Figure 12.13). Make sure you pick the second point well past the break line, or the brick will stop short.
    f1213.eps

    FIGURE 12.13 Picking two points


  5. 5. Press Esc twice. Look at Figure 12.14. Does your detail look the same?
    f1214.tif

    FIGURE 12.14 The bricks are being placed.


  6. 6. If the repeating detail is obscuring the break line, select the break line.
  7. 7. On the Arrange panel, click the Bring To Front button. The repeating detail is now behind the break line.

The next step is to add the soldier course. You’ll do this the same way you added the break line. In this respect, Revit offers a good library broken down into the CSI format.


To add the soldier course, follow along with the procedure:



  1. 1. On the Detail panel on the Annotate tab, click the Component images Detail Component button.
  2. 2. In the Type Selector in the Properties dialog, select Brick Standard : Soldier & Plan.
  3. 3. Place it into the model as shown in Figure 12.15. Eyeball the gap at the bottom.
f1215.tif

FIGURE 12.15 Placing the new detail component


Well, the soldier course is in place, but that fat line weight is horrendous. It would be nice if everything that came out of the Revit box looked nice and met your specifications; but alas, that isn’t the case. It’s time to modify this component to make it look presentable.


Modifying a Detail Component


Right about now is when every CAD/BIM manager around the globe raises an eyebrow—for good reason. Revit allows you to modify a component by actually opening the file! But don’t worry; you have to issue a Save As to save the detail.


The objective of the following procedure is to create a texture on the brick detail and to use a line weight that the user can control in the model:



  1. 1. If you still have a command running, click the Modify button to the left of the Ribbon, or press the Esc key.
  2. 2. Select the Bricks – Standard Soldier & Plan family that you just placed.
  3. 3. On the Modify | Detail Items tab, click the Edit Family button, as shown near the top of Figure 12.16.
    f1216.tif

    FIGURE 12.16 Open the family for editing after selecting the detail component.


  4. 4. The next dialog may ask you if you want to open this file to edit it. Click Yes if you get the message.

The detail component family is now open. It’s time to operate, Doctor. The next set of procedures will focus on modifying the linework of the brick and adding what is called a filled region.


Modifying Filled Regions


A filled region is similar in nature to a masking region in that you apply both in the same manner. A filled region, however, contains a hatch pattern that is visible when the region is completed. This is how you hatch in Revit. It takes the place of the conventional hatch command found in AutoCAD and MicroStation.


The objective of the next procedure is to modify the filled region that makes up the brick. You’ll also use the region’s outline to define the perimeter and the texture of the brick itself:



  1. 1. Go the Revit program button (The purple R in the upper-left corner), and Select Save As images Family.
  2. 2. Call the new family Brick – Soldier.
  3. 3. Click the Family Types button, as shown in Figure 12.17.
  4. 4. In the Name menu, make sure Running Section is selected.
  5. 5. Click the Delete button to the right of the dialog.
  6. 6. Select Rowlock from the list, and delete that type as well.
  7. 7. Click OK.
    f1217.tif

    FIGURE 12.17 Cleaning out the extra types


  8. 8. Select the line that is hovering over the top of the brick, and mirror it to the bottom so you have a line above and a line below the brick, as shown in Figure 12.18.
  9. 9. Select one of the heavy lines that forms the outline of the brick (see Figure 12.18). Revit indicates that this is a filled region, as revealed in the tooltip that appears when you hover your pointer over one of the boundaries.
  10. 10. On the Mode panel of the Modify | Detail Items tab, click the Edit Boundary button (see Figure 12.18).
  11. 11. Delete the two thick, vertical lines.
  12. 12. On the Draw panel, select the Line button, as shown near the top of Figure 12.19.
  13. 13. In the Line Style panel that appears, select Detail Items.
  14. 14. Draw a series of jagged lines on the right and left of the brick, as shown in Figure 12.19.
    f1218.tif

    FIGURE 12.18 Editing the boundary of the filled region


  15. 15. After you finish sketching the texture, click Edit Type.
  16. 16. Change the background from Opaque to Transparent, as shown in Figure 12.20.
  17. 17. Click OK.
  18. 18. Click Finish Edit Mode. Your brick should resemble Figure 12.21.
f1219.tif

FIGURE 12.19 Adding a texture to the brick family

f1220.tif

FIGURE 12.20 Changing the background to Transparent

f1221.tif

FIGURE 12.21 The finished soldier


Now it’s time to add a mortar joint to the bottom of the brick. You simply add drafting lines:



  1. 1. On the Home tab, click the Line button.
  2. 2. On the Draw panel, click the Start – End – Radius Arc button.
  3. 3. Draw two arcs to the left and right of the bottom of the brick, as shown in Figure 12.22.
f1222.tif

FIGURE 12.22 Adding the mortar joint


The next step is to add shading underneath the brick pattern. To do this, you’ll create an entirely new filled region and add it to the brick by tracing over the existing filled region:



  1. 1. On the Detail panel of the Home tab, click the Filled Region button, as shown in Figure 12.23.
    f1223.tif

    FIGURE 12.23 Click the Filled Region button on the Detail panel.


  2. 2. In the Properties dialog, click the Edit Type button, and make sure Type is Solid Fill – Black, as shown in Figure 12.24.
    f1224.tif

    FIGURE 12.24 Changing the region to Solid Fill – Black


  3. 3. Click Duplicate.
  4. 4. Call the new region Light Shade.
  5. 5. Click OK.
  6. 6. In the Fill Pattern row, click into the Solid Fill [Drafting] field. You’ll see a […] button in the right corner. Click it.
  7. 7. You can select any hatch pattern you wish. Make sure Solid Fill is selected, as shown in Figure 12.25, and click OK.
    f1225.tif

    FIGURE 12.25 Select the Solid Fill pattern, and click OK.


  8. 8. In the Color row is a button labeled Black. It includes a little black box icon. Pick the black box.
  9. 9. In the Color dialog, click the Gray tile, as shown in Figure 12.26. (The color is actually RGB 192-192-192.)
    f1226.tif

    FIGURE 12.26 Selecting the gray color (RGB 192-192-192)


  10. 10. Click OK twice.
  11. 11. On the Draw panel, click the Pick Lines button, as shown in Figure 12.27.
  12. 12. Hover your cursor over one of the jagged lines of the brick face, and press the Tab key. All the lines you’re trying to trace are highlighted.
  13. 13. Pick any one of the lines, as shown in Figure 12.27. Revit will draw the region based on these points.
    f1227.tif

    FIGURE 12.27 Press Tab to select the chain of lines, as shown here.


  14. 14. On the Mode panel, click Finish Edit Mode, and then press Esc. Your brick should look like Figure 12.28.
    f1228.tif

    FIGURE 12.28 The solid pattern covers the previous pattern. You’ll fix this in a moment.


  15. 15. When the Filled Region is in place, select it by clicking the boundary.
  16. 16. On the Arrange panel, click the Send To Back button, as shown near the top of Figure 12.29.
  17. 17. Press Esc. Your brick should now look like Figure 12.30.
    f1229.tif

    FIGURE 12.29 Sending the light shade to the back


  18. 18. Click the Save icon.
  19. 19. On the Family Editor panel on the Create tab, click the Load Into Project button, as shown in Figure 12.31.
  20. 20. Place the new soldier to the left of the wall.
    f1230.tif

    FIGURE 12.30 The finished brick

    f1231.tif

    FIGURE 12.31 The Load Into Project button


  21. 21. Select the smooth, boring existing soldier.
  22. 22. In the Type Selector, change it to Brick – Soldier: Soldier & Plan.
  23. 23. Delete the extra brick. Your wall should look like Figure 12.32.
    f1232.tif

    FIGURE 12.32 The new soldier brick in the model


  24. 24. Save the model.

The next group of procedures focuses on editing the bricks used in the repeating detail. You certainly want the same face texture, and it would be nice if there was a mortar joint between them.


Before you modify the bricks, let’s explore how a repeating detail is created. The objective of the next procedure is to discover how a repeating detail works and how you can create a new one:



  1. 1. Make sure you’re in the detail called Roof Taper Section.
  2. 2. Select one of the repeating details, as shown in Figure 12.33.
  3. 3. In the Properties dialog, click Edit Type, as shown at upper left in Figure 12.33.
    f1233.tif

    FIGURE 12.33 Click the Edit Type button after selecting one of the brick repeating details.


  4. 4. Click into the detail Value list. Notice that every detail component listed in your model is available. The detail component being used here is Brick Standard : Running Section.

    You can change the spacing and the patterns of how the repeating detail will perform.


  5. 5. Click Cancel.

The next objective is to modify the specific detail component that the repeating detail is using. To do so, you must add an instance of the detail component (in this case, it’s Brick Standard : Running Section) and then edit the family. After you load it back into the model, the repeating detail will be up to date.


If you would like to give it a shot and do it on your own, go ahead. If you would rather have some guidance, follow along:



  1. 1. On the Detail panel of the Annotate tab, click the Component images Detail Component button.
  2. 2. In the Type Selector on the Properties dialog, pick the Brick Standard : Running Section detail component. (Remember, this was the component that you discovered the repeating detail was using.)
  3. 3. Place the detail component off to the side of the wall, as shown in Figure 12.34.
    f1234.tif

    FIGURE 12.34 Place the Brick Standard : Running Section detail component off to the side. You’ll delete this occurrence of the component later.


  4. 4. Press Esc twice, or click Modify.
  5. 5. Select the Brick Standard : Running Section that you just inserted.
  6. 6. On the Mode panel, click the Edit Family button.
  7. 7. Select the filled region.
  8. 8. On the Mode panel, click Edit Boundary.
  9. 9. Delete the right and left thick lines.
  10. 10. On the Draw panel, click the Line button.
  11. 11. In the Type Selector menu in the Properties dialog, click Detail Items.
  12. 12. Draw the jagged lines on both sides, as shown in Figure 12.35.
    f1235.tif

    FIGURE 12.35 Draw the textured face while you’re in the Edit mode for the filled region. Draw the arcs for the mortar joint using lines.


  13. 13. Click Finish Edit Mode on the Mode panel.
  14. 14. On the Home tab, click the Line button.
  15. 15. On the Draw panel, click the Start-End-Radius Arc button.
  16. 16. On the Subcategory panel, be sure Detail Items is chosen from the Type Selector list.
  17. 17. Draw an arc on both sides of the brick, as shown in Figure 12.35.
  18. 18. When you’re finished, save the new brick. You can also find this brick at the book’s web page in Chapter 12; it’s called Brick Standard.rfa.
  19. 19. On the Family Editor panel, click Load Into Project.
  20. 20. In the project, click to overwrite the family.
  21. 21. Delete the stray detail component you placed. (You were only using it for access to the family.)

Compare your detail to the detail in Figure 12.36.

f1236.tif

FIGURE 12.36 The brick actually looks like brick!


Next, you’ll anchor this façade back to the wall. Two things need to be added: a structural relief angle above the soldier course, and a brick tieback to a lower course. Follow along:



  1. 1. On the Annotate tab, click the Component images Detail Component button.
  2. 2. On the Mode panel, click the Load Family button.
  3. 3. Open the Detail Components folder.
  4. 4. Go to Div 05-Metals.
  5. 5. Go to 051200-Structural Steel Framing.
  6. 6. Double-click the file AISC Angle Shapes-Section.rfa.
  7. 7. In the Type list, select L6X4X5/16.
  8. 8. Click OK. You’ll have to use the spacebar to flip the instance.
  9. 9. Place it into the model, as shown in Figure 12.37.
    f1237.tif

    FIGURE 12.37 Placing the L6X4X5/16 angle


  10. 10. Press Esc twice, or click Modify.

Of course, the line weight is basically a blob, so you must modify the family in order for it to look accurate. The next procedure is almost a review of what you had to do to the bricks:



  1. 1. Select the angle.
  2. 2. On the Mode panel, click Edit Family.
  3. 3. In the Family Editor, select the filled region (it’s the entire angle), and click Edit Boundary on the Mode panel.
  4. 4. Select all the lines that form the perimeter of the angle.
  5. 5. In the Type Selector menu in the Properties dialog, select Detail Items. (You’re switching from Heavy Lines to Detail Items.)
  6. 6. On the Mode panel, click Finish Edit Mode.
  7. 7. On the Family Editor panel, click Load Into Project.
  8. 8. Click Overwrite The Existing Version.
  9. 9. Adjust the angle so it looks like Figure 12.38.
f1238.tif

FIGURE 12.38 The angle in place and looking like an angle


The next step is to find a fastener to anchor the angle back to the wall’s substrate. There is a problem, however. The type of bolt you need is a lag bolt that is power-driven from the exterior into the wall. Revit doesn’t provide one out of the box. Luckily, the book you bought does! To find the lag bolt provided with the book, go to the book’s web page, browse to Chapter 12, and find the file A307 Lag_Bolt-Side.rfa. Then, follow along:



  1. 1. To load the lag bolt into your model, go to the Insert tab and click the Load Family button. Browse to the directory where you put the A307 Lag_Bolt-Side.rfa file. Find the file and click Open.
  2. 2. With the lag bolt loaded, click the Component images Detail Component button on the Annotate tab.
  3. 3. Select A307 Lag_Bolt-Side : 3/4˝ from the Type Selector.
  4. 4. Insert the lag bolt into the angle, as shown in Figure 12.39
    f1239.tif

    FIGURE 12.39 Inserting the lag bolt

    .
  5. 5. Press Esc twice.

Next, you’ll add a corrugated wall tie to the brick below the soldier course. Because the brick is a pretty good distance away from the wall, you first need to add some wood blocking to the model:



  1. 1. On the Insert tab, click the Load Family button.
  2. 2. Go to the Detail Components folder.
  3. 3. Go to Div 06-Wood And Plastic.
  4. 4. Go to 061100-Wood Framing.
  5. 5. Click the file called Nominal Cut Lumber-Section.rfa.
  6. 6. Select the 2×6 type, and click OK.
  7. 7. Go to the Annotate tab, click the Component images Detail Component button, and place the 2×6 into the wall, as shown in Figure 12.40.
    f1240.tif

    FIGURE 12.40 Adding the wood blocking


  8. 8. Press Esc twice.
  9. 9. Select the blocking you just added, and right-click it.
  10. 10. Select Override Graphics In View images By Element.
  11. 11. In the Projection Lines category, change the weight to 2.
  12. 12. Click OK. Your blocking should look like Figure 12.40.

The next step is to add the corrugated wall tie. You’ll do this in the same manner, except that it’s located in a different directory:



  1. 1. On the Insert tab, click the Load Family button.
  2. 2. Go to the Detail Components folder.
  3. 3. Go to Div 04-Masonry.
  4. 4. Go to 040500-Common Work Results For Masonry.
  5. 5. Go to 040519-Masonry Anchorage And Reinforcing.
  6. 6. Select the file called Corrugated Wall Tie-Section.rfa.
  7. 7. Use the Detail Component button to place the wall tie into your model, as shown in Figure 12.41.
    f1241.tif

    FIGURE 12.41 Placing the corrugated wall tie


  8. 8. Press Esc twice, or click Modify.

Now you’ll add some blocking along the concrete parapet cap. You also need additional blocking along the lag bolts. If you would like, go ahead and copy the 2×6 blocking around the model to mimic the figure at the end of this series of steps. Or you can follow along:



  1. 1. Select the 2×6 blocking.
  2. 2. On the Modify | Detail Items tab, click the Copy command.
  3. 3. Pick the base point of the upper-right corner, as shown in Figure 12.42.
  4. 4. Copy the blocking to the point shown in Figure 12.42.
  5. 5. Select the new blocking and rotate it into position, as shown in Figure 12.42. (You’ll also have to nudge the blocking, using the arrow keys to center it into the wall.)
    f1242.tif

    FIGURE 12.42 Rotating the blocking after copying it


  6. 6. Copy the blocking down to double it, as shown in Figure 12.43.
  7. 7. Copy and rotate blocking to the positions shown in Figure 12.43, to allow for support of the lag bolt.
  8. 8. Select all the blocking that has the heavy line weight, right-click, and choose Override Graphics In View images By Element. Change the projection line weight to 2.
  9. 9. Compare your detail to Figure 12.43.

When you’re drafting over a true section of your model, it’s always good to try to use as much of the graphical information from the actual model as possible. For example, the 3/4˝ void you see the bolt going through is actually 3/4˝ plywood sheathing. For some reason, the default plywood material has its cut pattern set to None. Let’s fix this:



  1. 1. Select the wall.
  2. 2. Click Edit Type.
  3. 3. Click the Edit button in the Structure row.
    f1243.tif

    FIGURE 12.43 Copy the blocking as shown.


  4. 4. Click into the Material column in row 5. It’s the substrate row, and the material is Wood – Sheathing – Plywood.
  5. 5. When you click Wood – Sheathing – Plywood, you see a tiny, tiny […] button. Click it.
  6. 6. In the Materials dialog, click the Graphics tab at the top of the right panel, as shown in Figure 12.44.
  7. 7. Set Cut Pattern to Plywood.
  8. 8. To the right of the Plywood pattern is another […] button. This one’s nice and big! Go ahead and click it, as shown in Figure 12.44.
  9. 9. In the Fill Patterns dialog, click the Edit button (see Figure 12.44).
  10. 10. Select Align With Element for the Orientation In Host Layers field.
  11. 11. Click OK five times to get back to the model.

Now that you have a good grasp of adding detail components, you need to learn how to control the line weight so the outlines of the bricks look a little bolder.

f1244.eps

FIGURE 12.44 Show us your plywood!


If you remember, some of the detail components were modified based on the line weight of the filled region perimeter. This thickness was changed from Heavy Lines to Detail Items. You need to set Detail Items to a thickness you can live with:



  1. 1. On the Manage tab, click the Object Styles button.
  2. 2. Scroll down the list until you see Detail Items.
  3. 3. Change the Projection line weight to 2, as shown in Figure 12.45.
  4. 4. Click OK. Your detail now has a bolder perimeter.
    f1245.tif

    FIGURE 12.45 Changing the Detail Items Projection line weight to 2


Another item left to explore in terms of adding detail to a view is the simple concept of drawing lines.


Drawing Detail Lines


As mentioned before, in Revit you can simply draw lines. You can only get so far with detail components, and then you need to pick up the pencil and add your lines.


The next set of procedures will focus on adding lines to your model. Then, we’ll look deeper into how these lines are created and modified:



  1. 1. In the Project Browser, make sure you’re in Sections (Building Sections : Roof Taper Section).
  2. 2. On the Detail panel of the Annotate tab, click the Detail Line button, as shown in Figure 12.46.
    f1246.tif

    FIGURE 12.46 Click the Detail Line button on the Annotate tab.


  3. 3. In the Line Style menu, select Medium Lines, as shown in Figure 12.47.
  4. 4. On the Options bar, deselect the Chain option.
    f1247.tif

    FIGURE 12.47 Select the Medium Lines choice in the Lines Style menu.


  5. 5. Draw a line, as shown in Figure 12.48. Be sure to use your endpoint and perpendicular snaps.
    f1248.tif

    FIGURE 12.48 Drawing a medium line


  6. 6. With the Line command still running, click the Pick Lines icon on the Draw panel.
  7. 7. Change the Offset to 1 1/2˝, as shown in Figure 12.49.
  8. 8. Offset the line you just drew down 1 1/2˝ (see Figure 12.49).
  9. 9. With the Line command still running, change to Thin Lines in the Line Style panel.
  10. 10. In the Draw panel, click the Line button.
  11. 11. Change the offset to 0.
  12. 12. Draw the X for the blocking, as shown in Figure 12.50.
  13. 13. Copy the blocking down to form a double plate (see Figure 12.50).
  14. 14. Draw another X below the plates to indicate a stud (again, see Figure 12.50).
f1249.eps

FIGURE 12.49 Offsetting the line down 1 1/2˝ to create a second line


So, what makes a Medium Line medium and a Thin Line thin? This is a part of Revit that you need to have full control over. After all, your biggest challenge will be getting your plotted sheets to match your old CAD plotted sheets. Specifying line weights is crucial.


Specifying Drafting Line Weights


Just as in CAD, you wouldn’t dare to draw even a single line if you didn’t know the proper layer it was being drafted on, right? Why should Revit be any different?


The objective of the next procedure is to investigate where the line weights are stored and how they relate to the lines you’re drawing:



  1. 1. On the Manage tab, choose Additional Settings images Line Styles.
  2. 2. In the Line Styles dialog, expand the Lines category by clicking the plus sign next to Lines.

    Some of the line styles were generated in AutoCAD. These line styles were imported when you brought in the legend back in Chapter 11, “Schedules and Tags.”

    f1250.tif

    FIGURE 12.50 Adding the detail to indicate studs and plates by using detail lines


  3. 3. Click into the Wide Lines category, and change the value from 5 to 4, as shown in Figure 12.51.
  4. 4. Click OK. Wide Lines in all project views will now show the new line weight.

The next item to tackle is the fact that this detail looks naked without any text or dimensions added to it. Although you’ve applied both of these items in past chapters, you need to use them as they’re relevant to detailing.

f1251.tif

FIGURE 12.51 Changing Wide Lines from 5 to 4


Adding Notes


In Revit, adding notes to a section can take on a whole different meaning than in CAD. You may remember back in Chapter 11 when you were able to specify materials and then tag them in a plan. Well, you can do the same thing in Revit.


Or, if you wish, adding notes to a detail can be exactly as it was back in CAD. Sometimes, sticking to the tried-and-true isn’t such a bad thing.


The objective of the next set of procedures is to add notes by tagging materials, and to add notes by simply leadering in some text.


Adding Notes by Material


Because you have some experience adding information to materials, let’s use that experience here. The next procedure will involve going to the material settings and adding a description to the brick that reads BRICK FACADE. Then, you’ll add that tag in the section.


If you’re confident, you can do this on your own. Your finished detail should look like the Figure 12.54. If you would like some instruction, follow along:



  1. 1. On the Manage tab, click the Materials button on the Settings panel.
  2. 2. Select Masonry – Brick in the list to the left, as shown in Figure 12.52.
  3. 3. On the right side of the dialog, go to the Identity tab (see Figure 12.52).
    f1252.tif

    FIGURE 12.52 Changing the Description to BRICK FACADE in the Identity tab


  4. 4. In the Description, type BRICK FACADE.
  5. 5. Click OK.
  6. 6. In the Project Browser, make sure you’re in the section Roof Taper Section.
  7. 7. On the Annotate tab, click the Material Tag button on the Tag panel, as shown in Figure 12.53.
    f1253.tif

    FIGURE 12.53 On the Annotate tab, click the Material tag button on the Tag panel.


  8. 8. When you place your cursor over the brick, the tag fills in. Place the tag as shown in Figure 12.54.
    f1254.tif

    FIGURE 12.54 Placing the material tag


Another method of applying a description to a material is to tag the item first and then fill out the tag. If you do so, the material will automatically be identified, and the tag will be filled out the next time you tag the same material:



  1. 1. On the Annotate tab, click the Material Tag button on the Tag panel.
  2. 2. Place a tag, as shown in Figure 12.55, on the tapered roof insulation. There is nothing but a question mark—this means Revit doesn’t yet have a description for the material.
    f1255.tif

    FIGURE 12.55 Adding a material tag to the insulation


  3. 3. Click the question mark, and type TAPERED INSULATION (see Figure 12.56).

Now it’s time to add some freeform notes. The great thing is, you’ve already done this, and you’ve gone as far as setting up your own leaders for that text.

f1256.tif

FIGURE 12.56 Add the note TAPERED INSULATION.


Adding Textual Notation


We’re duplicating efforts with text to drive home the fact that Revit lets you add text indiscriminately of the view, and also indiscriminately of the scale. Text in a plan is the same as text in a detail. And we’ll prove it in the next procedure:



  1. 1. On the Annotate tab, click the Text button.
  2. 2. On the Modify | Place Text tab, click the Align Right button on the Format panel, as shown at the top of Figure 12.57.
  3. 3. Again, on the Modify | Place Text tab, click the Two Segments leader (the uppercase A in the lower-left corner of the Format panel; see Figure 12.57).
  4. 4. Also on the Format panel, click the Leader At Top Right button.
  5. 5. In the section, pick the first point of the leader at the top of the brick tie detail (labeled 1 in Figure 12.57).
  6. 6. Pick the second point above and to the left of the first point (labeled 2 in Figure 12.57).
  7. 7. Pick the third point for the second segment, as shown in Figure 12.57.
    f1257.eps

    FIGURE 12.57 Adding the leadered text


  8. 8. Type the note CORRUGATED BRICK TIE ON 2X6 BLOCKING.
  9. 9. Click off the text into another part of the model, and your text justifies to the leader.
  10. 10. Press Esc twice.
  11. 11. Select the text.
  12. 12. Pick the grip to the left, and drag the box to resemble Figure 12.58. The text will wrap.
  13. 13. Save the model.

These steps are the most common procedure for adding detail to a model. In other words, take what you can from the model, and then add linework and detail components to the view. But eventually you’ll find yourself in a situation where you would rather draft your detail from scratch. You can do this as well, as you’ll see in the next section.

f1258.tif

FIGURE 12.58 Wrapping the text


Creating Blank Drafting Views


Over the years, Revit has been labeled as a “poor drafting application.” This is unfortunate, because it can be a very good drafting application when given the chance. The only challenge is to figure out where to start!


The objective of the next procedure is to create a blank view and then learn how to simply draw lines:



  1. 1. On the View tab, click the Drafting View button, as shown in Figure 12.59.
    f1259.tif

    FIGURE 12.59 Click the Drafting View button on the View tab.


  2. 2. In the New Drafting View dialog, name the new view TYPICAL WALL TERMINATION.
  3. 3. Change the scale to 3/4˝ = 1´–0˝ (see Figure 12.60).
  4. 4. Click OK.
    f1260.tif

    FIGURE 12.60 Changing the view name and scale


You’re now in a completely blank canvas. Anything you draw here is truly drafting and isn’t tied back to the model whatsoever.


The objective of the next procedure is to start adding lines and more detail components. The item you’ll draft is a detail showing a flexible top track of a metal stud partition:



  1. 1. On the Annotate tab, click the Detail Line button.
  2. 2. In the Properties dialog, click Medium Lines.
  3. 3. Draw a horizontal line about 4´–7˝ long, as shown in Figure 12.61.
    f1261.tif

    FIGURE 12.61 Drawing a detail line approximately 4´–7˝


  4. 4. With the Detail Lines command still running, change the Offset setting in the Options bar to .
  5. 5. Using the two endpoints of the first line, draw another line below.
  6. 6. On the Draw panel, click the Pick Lines icon.
  7. 7. Again on the Options bar, change the offset to 1 1/2˝.
  8. 8. Offset the bottom line down 1 1/2˝. Your detail should look like Figure 12.62.
  9. 9. With the Detail Line command still running, click the Line button and set the Offset value to .
    f1262.tif

    FIGURE 12.62 Using Pick Lines and adding an offset of 1 1/2˝


  10. 10. On the Options bar, make sure the Chain option is deselected.
  11. 11. For the first point of the line, pick the midpoint of the bottom line, as shown in Figure 12.63.
  12. 12. For the second point of the line, pick a point about 1´–9˝, straight down, as shown in Figure 12.63. (This draws a line offset 3˝ to the right from the center of the line above.)
  13. 13. To draw the other line, pick the same midpoint you picked to draw the first line.
  14. 14. Move your cursor down the view, but this time tap the spacebar to flip the line to the other direction (see Figure 12.63).
  15. 15. Draw another line of the same length (again, see Figure 12.63).
    f1263.tif

    FIGURE 12.63 By setting an offset of 3˝, you can draw two lines using a common centerline.


  16. 16. Click Modify.
  17. 17. Compare your lines with the lines in Figure 12.64.
    f1264.tif

    FIGURE 12.64 The detail up to this point


  18. 18. Click the Trim/Extend To Corner button on the Modify tab, as shown in Figure 12.65.
  19. 19. Trim the edges of the top of the wall, as shown in Figure 12.65.
    f1265.tif

    FIGURE 12.65 Trimming the corners


The next step is to add the track to the bottom of the floor. You’ll do this by creating three wide lines. The trick is to do a good amount of offsetting. If you want to explore and try the procedure on your own, try to match Figure 12.68 dimensionally. Remember, you’re using wide lines for the track.


If you would rather have guidelines, follow these steps:



  1. 1. On the Annotate tab, click the Detail Line button.
  2. 2. In the Properties dialog, click Wide Lines.
  3. 3. On the Draw panel, click the Pick Lines button.
  4. 4. On the Options bar, set the offset to 1/8˝.
  5. 5. Offset the bottom of the floor down 1/8˝. (It will look like the bottom line simply got thicker, but when you trim it up, it will look right.)
  6. 6. With the Detail Line command still running, set the offset to 3/8˝.
  7. 7. Offset the left and the right lines, as shown in Figure 12.66.
    f1266.tif

    FIGURE 12.66 Offsetting the heavy lines 3/8˝ to the right and to the left


  8. 8. Offset the bottom of the “floor” down 3˝.
  9. 9. Extend the tops of the left and right thick vertical lines to the thick horizontal line.
  10. 10. Trim the bottoms of the thick vertical lines to the 3˝ horizontal line, as shown in Figure 12.67.
  11. 11. Trim the top horizontal line to the new vertical lines.
  12. 12. Delete the 3˝ horizontal line. Your detail should now look like Figure 12.68.
f1267.tif

FIGURE 12.67 Offsetting the thick lines

f1268.tif

FIGURE 12.68 The top track is now in place.


It’s time to add the gypsum to both sides of the wall. By using the same method as before, you’ll use thin lines to denote two layers of 5/8˝ gypsum on both sides of the stud. If you’re ready to complete this task on your own, go ahead. (Remember, you’re adding two layers of 5/8˝ gypsum to both sides of the wall, and you’re using thin lines to denote this.)


If you would rather have some guidelines to practice with, let’s step through the procedure:



  1. 1. On the Annotate tab, click the Detail Line button.
  2. 2. Select Thin Lines in the Properties dialog.
  3. 3. On the Draw panel, click the Pick Lines icon, as shown in Figure 12.69.
  4. 4. Type 5/8˝ in the Offset field.
  5. 5. Offset two lines in from the right and the left (see Figure 12.69).
f1269.tif

FIGURE 12.69 Adding the lines for the gypsum


Look at this: the steps are getting shorter. You used only the Detail Line command but have successfully offset every line you needed without leaving the command you were running at the time. Who says you can’t draft in Revit?


The next procedure will involve adding a filled region to the “floor.” Although you don’t want to be too specific about what you’re calling out, you still need some contrasting hatch.


If you would like to venture out on your own, try to duplicate Figure 12.71. You’ll need to add a filled region using diagonal lines. If you would rather follow the procedure, let’s get started:



  1. 1. On the Annotate tab, click the Region images Filled Region button.
  2. 2. In the Line Style panel, click <Invisible Lines>, as shown in Figure 12.70.
  3. 3. Draw a boundary (see Figure 12.70), and press Esc.
    f1270.tif

    FIGURE 12.70 Draw the filled region with Invisible Lines.


  4. 4. In the Properties dialog, click the Edit Type button.
  5. 5. Click Duplicate.
  6. 6. Call the new region ROOF.
  7. 7. Change Fill Pattern to Diagonal Up-Small [Drafting].
  8. 8. Click OK.
  9. 9. Click Finish Edit Mode on the Mode panel. Your pattern should look like Figure 12.71.
f1271.tif

FIGURE 12.71 The detail with the hatching included


This detail is looking good—so good that it would be nice to never have to draw it again. Let’s proceed with creating a special group that you can drag onto another view.


Creating a Detail Group


Groups can be extremely advantageous to the drafting process. Although I mentioned earlier that details and drafting views aren’t linked to the model, you can still provide some global control within the details themselves by creating a group. This will give you further control over every instance of this specific detail within the entire model.


The objective of the following procedure is to create a new group and add it to another view:



  1. 1. Select everything in the view by picking a window.
  2. 2. On the Create tab, click the Create Group button, as shown in Figure 12.72.
    f1272.tif

    FIGURE 12.72 The Create Group button on the Create tab


  3. 3. In the Create Detail Group dialog, call the new group Typical Slip Track. Click OK.
  4. 4. The group has been created. You see an icon similar to the UCS icon in AutoCAD: this is your origin. Pick the middle grip, and drag it to the left corner of the track (where it meets the floor), as shown in Figure 12.73.
  5. 5. Save the model.
    f1273.tif

    FIGURE 12.73 Move the origin to the location shown here.


With the group created, it’s time to add it to another view. Because not every view shows exactly the same thing, you can alter the group’s instance to conform to the detail into which it’s being placed.


The objective of this next procedure is to physically add the new detail group to the Roof Taper Section:



  1. 1. In the Project Browser, find the Sections (Building Section) called Roof Taper Section.
  2. 2. On the Annotate tab, click Detail Group images Place Detail Group, as shown in Figure 12.74.
  3. 3. Move your cursor over the underside of the roof. You get a snap: this is the origin point of the detail.
  4. 4. Pick a point along the bottom of the roof, similar to what is shown in Figure 12.75.
  5. 5. When the group is placed, press Esc.
f1274.tif

FIGURE 12.74 Choose Place Detail Group.

f1275.tif

FIGURE 12.75 Picking a point along the bottom of the roof to place the group


The next step is to remove some of the extraneous hatch and lines. You can do this within a group, but you must be careful not to edit the group in a way that affects all other instances.


The objective of the next procedure is to remove the extra lines and hatch from the group:



  1. 1. Hover your cursor over the thick line representing the bottom of the floor in the group, as shown in Figure 12.76.
  2. 2. Press the Tab key. This allows you to get to the second level of the group and highlight the single line.
  3. 3. Pick the line, as shown in Figure 12.76.
    f1276.tif

    FIGURE 12.76 Excluding an element from the group


  4. 4. A small, blue group icon appears. When you hover your mouse over it, it says that you can exclude this member from the group. This is what you want to do, so click the button.
  5. 5. Repeat the process for the top floor line.
  6. 6. Repeat the process for the hatch.
  7. 7. Save the model. Your detail should now look like Figure 12.77.
f1277.tif

FIGURE 12.77 The slip track without the extra lines


Now you’ll make modifications to the original group to see how each insertion of a group is influenced. This is where the advantage of using groups in a model comes into play.


The objective of the next procedure is to open the original group and modify it. When the modifications are completed, the other groups will be updated:



  1. 1. In the Project Browser, find the TYPICAL WALL TERMINATION view under Drafting Views (Detail), and open it.
  2. 2. Select the group.
  3. 3. On the Modify | Detail Groups tab, click Edit Group. You see the Edit Group panel toward the right of the Ribbon.
  4. 4. On the Detail panel of the Annotate tab, click the Insulation button, as shown in Figure 12.78.
    f1278.tif

    FIGURE 12.78 The Insulation button on the Detail panel of the Annotate tab


  5. 5. Place the insulation starting at the midpoint of the top of the stud, and terminate the insulation at the bottom of the stud, as shown in Figure 12.79. Note that you were lucky the width fit perfectly. If it hadn’t, you could have changed the width on the Options bar.
  6. 6. Click the Finish button on the Edit Group toolbar, as shown in Figure 12.80.
  7. 7. Open the Roof Taper Section, and observe that the insulation has been added.

You’re starting to get detailing pretty well. There are two issues left to discuss. First, it would be nice to reference these details from the plan, even knowing that they aren’t physically tied into the model. Second, you need to know how to import CAD into a detail.

f1279.tif

FIGURE 12.79 Drawing the insulation

f1280.tif

FIGURE 12.80 The Finish button on the Edit Group toolbar


Adding a Section to Another View


You already know how to add a section marker in plan. What you may not know is how to tell Revit that you would rather specify the reference.


The objective of the next procedure is to go to the Level 1 ceiling plan and add a section pointing to your drafting view:



  1. 1. In the Project Browser, open the Level 1 floor plan.
  2. 2. Zoom in on the area of the east wing, as shown in Figure 12.81.
  3. 3. On the View tab, click the Section button. Pick Detail View in the Type Selector.
  4. 4. Before you place the section, look up at the Options bar. There you see a Reference Other View button. Click it.
  5. 5. In the menu to the right of the Reference Other View label, expand the drop-down, and select Drafting View: TYPICAL WALL TERMINATION.
  6. 6. Place the section into the model, as shown in Figure 12.81.
    f1281.eps

    FIGURE 12.81 Choosing the correct options while placing the section


  7. 7. Press Esc.
  8. 8. Double-click the section marker that you placed in the model. Doing so opens your drafting view.
  9. 9. Save the model.

With creating a drafting view behind us, it’s time to look at our old friend CAD. (Some may say the new acronym is Ctrl Alt Delete.) Regardless of the existing sentiment toward CAD, it did get us this far. And we still need it—more so in the drafting capacity. Yes, you can import CAD into a detail.


Importing AutoCAD into a Drafting View


I’ll go out on a limb and venture to guess that you have a handful of CAD details that you use on a daily basis. The question always is, “What do I do with this pile of details I spent years, and thousands of dollars, to create?” Well, you can still use them.


The objective of the next procedure is to create a new drafting view and import an AutoCAD detail. If you would like, you can attempt to import your own detail, or you can use the file provided. Just go to the book’s web page at www.sybex.com/go/revit2012ner. From there, you can browse to Chapter 12 and find the file called base cabinet.dwg. You can then place it on your system for later retrieval.


The objective of this procedure is to import a CAD detail into a drafting view:



  1. 1. In the View tab, click the Drafting View button.
  2. 2. In the next dialog, name the new view TYPICAL BASE CABINET.
  3. 3. Set Scale to 1 1/2˝ = 1´–0˝, and then click OK.
  4. 4. On the Insert tab, click the Import CAD button.
  5. 5. Browse to the location where you placed your CAD file.
  6. 6. Select the file, but don’t click Open yet.
  7. 7. At the bottom of the Import dialog, set Colors to Black And White.
  8. 8. Set Layers to All.
  9. 9. Set Import Units to Auto-Detect.
  10. 10. Set Positioning to Auto – Center To Center.
  11. 11. Click Open.
  12. 12. Type ZA. The detail should now be in full view.
  13. 13. Select the detail.
  14. 14. On the Modify | Base cabinet.dwg tab, click Explode images Full Explode.
  15. 15. Select one of the filled regions.
  16. 16. In the Properties dialog, click Edit Type.
  17. 17. Change Fill Pattern to Sand – Dense, and select the Drafting radio button.
  18. 18. Click OK.
  19. 19. Click OK one more time to get back to the model.
  20. 20. Make sure your cabinet is hatched properly.
  21. 21. Save the model.

Up to this point, you’ve been using detail lines for your drafting. The one issue is that detail lines are visible only in the specific view you’re working in. Suppose you wanted linework to show up both in plan/elevation as well as a 3D view. In this situation, you should use the actual Lines tool.


Adding 2D and 3D Lines to the Model


Just because you’re drafting, that doesn’t mean you can’t create lines in all views such as in a 3D view in a 3D function. Revit has a tool that is simply called Lines, and you use it to project lines into multiple views. You apply the Lines tool just like a detail line, only it behaves the same as a Revit 3D family in that you can see it in every view (unless you turn it off).


The objective of the next procedure is to add detail lines to the west sloping roof. They’re nothing fancy, but you’ll quickly get the picture of how to use this feature:



  1. 1. In the Project Browser, find the West Roof floor plan, and open it.
  2. 2. On the Home tab, find the Work Plane panel to the right of the Ribbon and click the Set button, as shown in Figure 12.82.
    f1282.tif

    FIGURE 12.82 The Set button on the Work Plane panel of the Home tab


  3. 3. In the Work Plane dialog, select the Pick A Plane radio button.
  4. 4. Click OK.
  5. 5. Pick the roof, as shown in Figure 12.83.
  6. 6. On the Model panel of the Home tab, click the Model Line button.
  7. 7. In the Line Style menu, click Medium Lines, as shown in Figure 12.84.
  8. 8. On the Draw panel, click the Start-End-Radius Arc button, as shown in Figure 12.85.
    f1283.tif

    FIGURE 12.83 Picking the roof. Your work plane is now set to slope with the roof. Anything you draw will be on this sloping plane.

    f1284.tif

    FIGURE 12.84 Click the Medium Lines button under Line Style.


  9. 9. Draw an arc from the two endpoints shown in Figure 12.86. Make the radius 80´–0˝. Simply enter the numbers at the keyboard, and they will fill in the radius field.
  10. 10. Go to a 3D view. You can still see the arc.
  11. 11. Save the model.

It’s a good idea to keep this feature in mind. This drafting tool will become useful when it comes to sketching in 3D. There will be many situations in which you’ll use this little nugget.

f1285.eps

FIGURE 12.85 Drawing an 80´–0˝ radius arc


Are You Experienced?


Now you can…



  • modify and add line weights to be used in both the 3D and 2D environment
  • add linework in a drafting view as well as a 2D and 3D view
  • create both masking regions and filled regions to provide hatching to a model
  • mask an area so you can draft over it
  • add detail components to the model, and create repeating details
  • modify detail families to suit your needs
  • create a group to be used in multiple drafting views, change the group, and update each copy in each view
  • create a new drafting view to draft from scratch and import a CAD file into a drafting view

Aug 3, 2021 | Posted by in Building and Construction | Comments Off on 12: Detailing
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