Architecture of walking
2.3Architecture of Walking Doina Petrescu Walking can be considered as a tool to experience, analyse and represent space in relation to subjectivity. Looking beyond its value as an everyday life…
2.3Architecture of Walking Doina Petrescu Walking can be considered as a tool to experience, analyse and represent space in relation to subjectivity. Looking beyond its value as an everyday life…
Figure 4.0.1 Herzog & de Meuron: No. 250, An Exhibition, Schaulager, Basel, Switzerland (2004). Tables exhibiting models, mock-ups and samples Source: Photograph by Margherita Spiluttini
1.7Frank Lloyd Wright’s Use of Movement John Sergeant ‘Ground plan and perspective view of Ward W. Willits’ villa, Highland Park, Ill’, Plate XXV in the Wasmuth portfolio of Wright’s work…
4.4Filmic Space An encounter with Patrick Keiller Patrick Keiller, introduced by Peter Blundell Jones In setting up the lecture series that was the seed for this book, we wanted to…
2.7The Geometry of Moving Bodies Alan Lewis The idea that towns and cities should be rebuilt along scientific lines, although widely held by British architects and planners during the mid…
3.3Lucien Kroll: The Door1 Translated by Peter Blundell Jones The entrance is the most sensitive place in a dwelling: it gives some idea of the identity of the inhabitants and…
3.2Rievaulx and the Order of St Benedict Translated by Abbot Parry Figure 3.2.1 Basic layout of Rievaulx Abbey: A: church; B: cloister; C: refectory; D: chapter house Source: After a…
Figure 3.0.1 Spirit path leading to the East Royal Tombs, Qing dynasty, discussed in Chapter 3.5. This view looks back from the second paifang or ceremonial gateway towards the main…
1.4Hermann Muthesius: Wie Baue Ich Mein Haus Translated by Peter Blundell Jones Hermann Muthesius is best known as the author of Das englische Haus, a three-volume study published after his…
1.3Charles Garnier: Le Théâtre, Chapter 4, Staircases1 Translated by Peter Blundell Jones Figure 1.3.1 Paris Opera, principal façade Source: Photograph by Peter Blundell Jones Figure 1.3.2 Paris Opera, plan at…